BURRI PROMETHEIA event at UCLA Sculpture Garden

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BURRI PROMETHEIA – XL ANNIVERSARY OF THE GRANDE NERO CRETTO

UCLA SCULPTURE GARDEN 1977/2017

In 2016, concluding its most extensive retrospective ever dedicate to a single artist, the Solomon R. Guggenheim Museum emphatically reaffirmed the critical role of Alberto Burri (1915-1995) in the arts of the second half of the 20th century, as a radical forerunner of New Dada, Nouveau Réalisme, Postminimalism, and Arte Povera.

Burri’s internment as prisoner of war in Texas, where he began to paint in 1946, dramatically shaped the new spatial forms of his painting and sculpture. An even greater impact was provided by the great desert landscapes of the American West to which Burri found himself drawn after taking up winter residence in Los Angeles in 1963.

Burri Prometheia, a symposium organized by the Department of Italian at UCLA and the Italian Cultural Institute of Los Angeles, aims to examine the heritage of these ties in the largest work Burri ever created outside of Italy, the “Grande Cretto Nero” (Large Black Crack), on the fortieth anniversary of its gifting to UCLA. The work bears striking witness to an intimate and monumental sublimation of the intensity of matter which the artist first noted in the cracking altarpieces of his fellow Italian, Piero della Francesca, and later in the extraordinary superstrata of California’s Death Valley.

The Grande Nero Cretto, a work of colossal proportions (49 x 16 feet), composed of 700 pieces of fired ceramic transported from the artist’s home town and assembled at the UCLA Sculpture Garden, represents an uncanny fusion of the visual arts and architecture. Its gifting to UCLA commemorates Burri’s choice to inaugurate his great American traveling exhibition of 1977 precisely at the university. The sculpture offers imposing testimony to the artist’s choice to reside in Los Angeles during the winters of thirty years of his life.

Lisa Rinzler e Giuseppe Sterparelli al Museo Burri di Palazzo Albizzini Città di Castello (foto Stefano Giogli)
Lisa Rinzler e Giuseppe Sterparelli al Museo Burri di Palazzo Albizzini Città di Castello (foto Stefano Giogli)

PROGRAM

Monday, January 9, 2017

Royce Hall , UCLA, 4 PM

Video address by Bruno Corà, President of the Palazzo Albizzini Collezione Burri (Alberto Burri Foundation)

Screening and discussion of Variations:  A Visual Polyphony from the original poem of Emilio Villa and Alberto Burri by Giuseppe Sterparelli

Discussion of Emilio Villa’s poetry and his Seventeen Variations by Gian Maria Annovi

Discussion of ecology, and eco-sustainability in arts by Nurit Katz

F.D. Murphy Sculpture Garden, 5PM, in front of the Grande Nero Cretto

Open-air Reception

Welcoming remarks by Italian Consul General Antonio Verde

Percussion by John Densmore, drummer of The Doors, writer and activist

Site-specific video installation and light performance projected onto Burri’s Grande Nero Cretto by visual artist and researcher Alessandro Marianantoni

Readings unpublished Emilio Villa on Burri, by Paul Vangelisti, Thomas Harrison, and others

Tuesday, January 10

Italian Cultural Institute, Hilgard Avenue, 6-8PM

Video address by Bruno Corà, President of the Palazzo Albizzini Collezione Burri (Alberto Burri Foundation)

Screening and discussion of Alberto Burri e Piero della Francesca, le due rivoluzioni by director Luca Severi and producer Valeria Martelli

Round-table discussion of Burri’s art by Severi, Martelli and Harrison

Reception

CO-ORGANIZERS UCLA Department of Italian & The Italian Cultural Institute of Los Angeles

SPONSORS Fondazione Palazzo Albizzini Collezione Burri (Burri Foundation), Italy, UCLA’s Division of Humanities, College of Letters & Science, Department of Art History, and Hammer Museum

CURATORS Giuseppe Sterparelli, Thomas Harrison

Under the patronage of Italian Ministry for Cultural Heritage

Material provided by UCLA Department of Italian

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